My Works | Portfolio

Visual Rituals

These works are for those who understand that art is not merely something to be seen—it is something to be felt, something to be entered. These works are not just portraits; they are portals into the sacred, offering a glimpse into the alchemy of self-exploration, healing, and embodiment.

COLLECTOR'S NOTICE:
I only sell a single original of my works because my art is not meant to be replicated—it is meant to find who it is meant for. Each piece carries a unique frequency, a moment in time, and an energy that cannot be duplicated. There is a method to my process, something deeper than what meets the eye—a spiritual unfolding that happens behind the scenes. My images are more than just art; they are visual rituals, portals of transformation. When a piece reaches someone, it is because it was always meant to exist in their space, to speak to them in ways only they can understand.

The Garden

Suspended between surrender and sovereignty, she exists in the space where myths are rewritten. The apple—a symbol of knowledge, temptation, and consequence—rests gently upon her skin, no longer an object of forbidden desire but an offering of self-possession.

The curve of her body echoes the undulating lines of creation itself, a testament to the sacred geometry of flesh and spirit. A delicate reminder that beauty and strength are not opposites but lovers entwined. Here, in the hush of darkness, she is neither Eve nor Lilith. She is more. She is the storyteller and the story, the beginning and the becoming. The ending and the rebirthing.

She is The Garden.

Ancestor's Dance

Ancestor’s Dance is a celebration of the ways in which we remain tethered to those who came before us, not only through the traditions passed down but also through the passions and creative pursuits that shape our existence.

In embracing our creativity—whether through movement, painting, music, or photography—we open ourselves to the wisdom encoded within our very being. We recognize that the act of making is itself a ritual, a means of bridging the temporal divide. As we dance, as we create, as we breathe life into our passions, we are never alone. Our ancestors move with us, shaping the cadence of our existence, forever present in the rhythm of our becoming.

SIGUSE BIANAH- SNAKE BODY

SIGUSE BIANAH (Snake Body) [TSEE-GOO-TSEH BIH-AH-NA-CH]

A woman's body is an altar—an ever-shifting landscape of wisdom, ritual, and transformation. "SIGUSE BIANAH", meaning Snake Body, is an intimate exploration of the sacred connection between body and spirit, between the seen and the unseen. In this series, the serpent coils as both guardian and guide, whispering truths of internal power, sensual knowing, and the cyclical shedding that defines divine womanhood.

These images honor the body as a vessel of wisdom, a site of ritual, a space where energy shifts and transmutes. The intimacy of skin, the presence of the serpent, and the quiet power of stillness all merge into a visual invocation of rebirth.

It is a spell, a prayer, a reclamation.

The Undoing

"The Undoing" is a process of peeling away the false narratives imposed by rigid beauty standards. In this series, I confront the ways I have been conditioned to see myself—through distortions, through others’ expectations, through the lens of an external world that has long dictated what is worthy, what is desirable, what is enough. Showing the most vulnerable parts of my body, the parts they tell us we should hide if they are not aesthetically pleasing.

It is time to undo what the past narratives have done.

Worthy

Worthy is a visual affirmation of self-acceptance and beauty in one’s own skin. Through raw and intimate self-portraits, this series explores the journey of embracing oneself fully—unfiltered and unapologetic. Our bodies are magical places, and how we feel about them matters. To see yourself as a glowing, sparkling and divine being, in the body that you were created in is art all its own.

Votive

Art has long served as an offering—a votive—to the unseen forces that shape our existence. In ancient traditions, votive objects were left in sacred spaces, symbols of devotion, transformation, and remembrance. In this photo series, Votive becomes a visual exploration of the self as both the giver and the given, the offering and the witness, the flame and the darkness.

Votive asks: What does it mean to be both the bearer of fire and the one who is consumed by it? What is the body but a vessel, a conduit for stories, desires, and ancestral echoes? In these images, the act of self-portraiture becomes an act of consecration—a quiet rebellion against erasure, a reverence for the raw, unfiltered presence of being.

Malignance: The Weight of Tainted Innocence

Malignance confronts the stigma of suffering and the way it marks us. It refuses to hide the weight of pain, instead forcing us to witness it in all its raw honesty. It asks: What remains when innocence is altered? Can we unwrite the stains? Or must we learn to create beauty from the darkness that clings to us?

What happens when the wounds are no longer just beneath the surface? When they become the mask we wear, the ink that stains the way we see ourselves and are seen by the world?

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